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The Posthuman War Act 6: The Battle

by Paul Shapera

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1.
Mucklepuck: When the time has come for battle When the time for talk is done When your weapons at the ready And you've drunk your shot of rum And the bastards they are coming Just to see you break and fall The warthog will lead the call … Jill: That's a lot of mutants Lloyd: They’re a distraction. Cut off the head and they’ll be useless. Focus on Sarah. General, your left flank! Mucklepuck: They're coming to kiss my left buttock is all Isabela: I’m going to sneak in and cut Sarah’s throat Lloyd: Careful, you have a baby to get back to Isabela: Michael is going to raise it Lloyd: If you don't tell Raven I will Isabela: Maybe now is not the time Mucklepuck: Charge! Michael: Comin’ with the love and the groove, a little lesson for you I’m comin down to stop you and put this to rest Coming down to fight for my friends, coming down to save and defend Coming down to see that this comes to an end Comin down to stop your insane, your crazy rampage of pain Coming down to make sure this madness will end Jill: Comin’ down with a lesson pay attention this is it It's what happens when you mess with a witch who’s a bitch You were welcomed open arms, you were trusted, but instead You have spit on it and hurt the very people I call friends So I'm coming down to teach a little lesson to your face With the help of my spells and my good friend pain Wipe the smile off your face, send you back where you belong Send you onwards to Elysium to say, “Hi” to your mom Get a taste of my hex, gonna share it with the class Gotta fist that’s full of fire gonna shove right up your ass We don't tolerate a sadist with your stupid comrade act Look it's time o’clock for whoopin’, time to take you back to class Mucklepunk: By the gods, my sword is thirsty and will drink its fill today I have never liked you more than when your red blood finally sprays Come on closer let me send you where the gods won't go at all The warthog, will lead the call … Jill: And so the day has come, a day of violence and of blood A day which changes all the ones who might survive A day of sadness after when they’ll never be the same again A day we all crossed oh so very many lines There was anger there was rage, some betrayal and some pain And quite soon my friends the tears are gonna come Once upon a starry scene, we had love, we had a dream But today the only thing that’s left is blood
2.
Lloyd: We could have been a family, we could have built a dream But all you love is burning bridges, all you want to do is scream Your anger will devour all you build and all you touch It will ruin all your wishes, it will ruin all you love Sarah: You’re a joke little squeamish man With no guts, you just hold back those who can Those who conquer and those who rule While you sputter and beg and weep and drool The dream is dead, there is nothing left This day will end with one of us dead The time for talk is gone and past The time for blood has come at last … My reign begins with conquest The worlds at my feet The crowds will cheer before me When I am crowned their queen Oh Sarah, how we love you I love you too I vow And like a diamond how I shine and glitter now And smile like femme fatale Isabela: Surprise Sarah and say goodbye to your throat Sarah: You drew across my neck with a crayon Isabela: Crayo… this is a knife! Sarah: I don't think so. Look again. Isabela: What? But how is this possible? Sarah: Buh bye Isabela Isabela: Grunts Sarah: Sleepy sleep Who’s this? Who’s this bitch? Kate: There's a path through the sea for a lass like me And it leads to a golden isle And we’ll dance and we’ll sway and we’ll fight our way Through a tale of a thousand trials There's a path through the sea for a lass like me And it leads to a golden isle And we’ll dance and we’ll sway and we’ll fight our way Through a tale of a thousand trials … Lloyd: Kate! Jill: Sarah speared her through the stomach! Lloyd: Jill, I can't.. I'm holding off five of these things, I can't break away. Jill, you have to go rescue her. Jill: I'm on it Lloyd: And Jill, our trap, the reality well, try to get her to it, we need to push her in, it’s the only way to end this Jill: Got it. There's a pit, the blackest hole The darkest hell where damned men fall There's a pit, beneath the drowned The blackest hole in oceans ground Life, you'll find, isn't kind at the end of a blade When at last you must face all the choices you've made … Sarah: DIE! DIE! DIE. YES. YES. YES! Laughs. It is a pleasure to kill you. Goodbye, Jill. Michael: NOOOOOOOOOOOOOOOOOOOOOO … My arm! My arm… aaaahhhh, she cut it off…. Aaaaaaah…. Ah… Ah…. Sarah: I’m gonna feed this arm to my mutants. Hey, you wanna eat this? What's this, now? Teddy bears? Monks? You’ve gotta be kidding me. Teddy Bears: Rats in teddy bear suits are librarians are teddy bears Rats in teddy bear suits are so quiet quiet, please Rats in teddy bear suits are librarians are teddy bears Rats in teddy bear suits are so quiet quiet, please Mucklepuck: By the gods, my sword is thirsty and will drink its fill today I have never liked you more than when your red blood finally sprays Come on slower let me send you where the gods won’t go at all The warthog will lead the call When the time has come for battle When the time for talk is done When your weapon’s at the ready And you’ve drunk your shot of rum And the bastards they are coming Just to see you break and fall The warthog will lead the call Sarah: There you go, General. It's over now. Any last words? Mucklepuck: Thank you. Thank you… You are… a worthy opponent. It is… my honour… to die at your hand. Sarah: Now that is how you show some respect. Is that it? Is that the best you’ve got? Come on! That's it? This is the best you can do? Asha: On the edge of the street Where dream, reality meet We got the groove movin through in our hearts With friends so fantazmic that you Cannot imagine With Jill and Lloyd: Got the love holding us in our hearts Transcendent, stupendous Hyperdelic consensus Got the groove moving through in our hearts We’re shamans in lands past Where the last signposts stand We got the love holding us in our hearts With Marjolein: Comin with the love and the groove We got mojo and moves We got magic like you’ve never seen Things are happening so wild They would just blow your mind We got love and we got us a dream Sarah: You’ve come here I'm so sad to say to meet and greet your end of days I’ve heard of you, you broke they say, you’re weak, you should have stayed away You could be useful to me when, the empire that I’m summoning Serve me and I’ll be your friend, or else I’ll bring you to an end And when I am queen, all who serve me will prosper like they’ve never seen A goddess I’ll be and I’ll bless all those loyal who will worship me The day of reckoning is upon us The day of judgement is falling at our feet The day of reckoning is upon us The day of judgement for you and me When I am queen those who serve me will prosper like they’ve never seen A goddess I’ll be and I’ll bless all those loyal to me The day of reckoning is upon us The day of judgement is falling at our feet The day of reckoning is upon us The day of judgement for you and me Ahhhhh the day of reckoning is upon us Ahhhhh the day of judgement is at our feet Ahhhhh the day of reckoning is upon us Ahhhhh ahh ahhh woahh Asha: I've come here now to stop you I have come from away I’ve wandered far with William, I have learned much of his ways I've come here now to stop this, you have threatened all my friends The day of reckoning has come to bring you to an end The day of reckoning is upon us The day of judgement is falling at our feet The day of reckoning is upon us The day of judgement has come for you and me Transcendent, stupendous Hyperdelic consensus Got the groove moving through in our hearts We’re shamans in lands past Where the last signpost stands We’ve got the love holding us in our hearts The day of reckoning is upon us The day of judgement is falling at our feet The day of reckoning is upon us The day of judgement has come for you and me The day of reckoning is upon us The day of judgement is falling at our feet The day of reckoning is upon us The day of judgement for you and me Ahhhhh the day of reckoning is upon us Ahhhhh the day of judgement is at our feet Woooah ahh the day of reckoning is upon us Wooao aaah ooh ohh aaahhh Ah! My eye! My eye! My eye! You try, you try, you try the best you can you try until you… B… best you… best you can….
3.
Lloyd: Who's left? Marjolein: I'm still here. Jill: I'm right here Lloyd: Jill, your face... my god... Jill: Never felt better Michael: My arm is gone... but I'm still standing... Jill: Michael, you're about to fall over Michael: I'm not goin anywhere Lloyd: Just the four of us then. You all should go. Go somewhere far away where her empire can’t find you. Michael: What are you gonna do? Lloyd: I'm going down fighting. Jill: Damn right. Lloyd: Jill, please, be sensible Jill: Never felt better Michael: I'm not goin anywhere. Lloyd: I just don't understand... how is this kind of power possible? Sure she was talented, but... she didn't have this kind of power Marjolein: You know, she told me something, in the Red River. She was gloating, saying how those mutants of hers power her like a battery Lloyd: What? Jill: Power her like a battery… Lloyd: A battery... Jill: Oh my goddess Lloyd: That... that makes sense. That explains everything. Michael: So the mutants... Lloyd: We've been going about this the wrong way. The mutants aren't a distraction, they're the key. Jill: So if we separate her from the mutants... Lloyd: New plan. One of you needs to distract Sarah, get her to chase you, get her away from here and the rest of us get those mutants to the trap, to the reality well. Jill: If we get the mutants in the pocket dimension she has to follow or lose her power Lloyd: Yes. so she needs to chase someone. it's a suicide mission Jill: I'll go. I got his. Marjolein: No, I'll go. It's going to take all three of you to get those mutants herded in there. And Sarah... I'm not afraid of her. And I don't have to fight her, just run long enough. Jill: Marjolein, there’s no way you can hold her off... Lloyd: Jill, she's right. Michael's barely standing. I need you to help herd the mutants. This is our last hope. Marjolein... Marjolein, you can do this. We don't need long, you just need to hold out... just a short while. You're like... I ne... I never thought I'd... know what having a... a daughter felt like, but... it's... good... Jill: Marjolein, don't you dare try to... Marjolein: Ok everyone, enough. We got this. Lloyd: We've got this.
4.
Sarah: Marjolein, my dear, I see you’ve come to bow before my feet I'm feeling generous my love, I know you think I'll kill you but Instead, come join my empire for I've work for you inside my court A lovely jester you would be, dance and sing and play for me Marjolein: I'm not afraid of you, you don't inspire my fear You say you'll kill me but last I checked I’m standing here You're just a little girl who can't get daddy's love Afraid to think of mom, so from yourself you run and run And I will survive you, I'll survive you Watch your trauma drive you I will survive you till the day you die alone Sarah: I’ll kill you! Peek a boo, well I see you, where's my naughty cub This little piggy went to town and I could eat her up I catch you yet and rip your flesh, your bones will pick my teeth Little piggy, Sarah comes, comes for you, my sweet Marjolein: I will survive you, I'll survive you Will despise revile you I will survive you till the day you die alone I will survive you, I'll survive you Feel my spite inside you I will survive you till the day you die alone Sarah: Peek a boo, well I see you, where's my naughty cub This little piggy went to town and I could eat her up I catch you yet and rip your flesh, your bones will pick my teeth Little piggy, Sarah comes, comes for you, my sweet Marjolein: I will survive you, I'll survive you Will despise revile you I will survive you till the day you die alone I will survive you, I'll survive you Feel my spite inside you I will survive you till the day you die alone What's happening? Sarah: I’ve opened a portal to a hellscape and it's sucking you in! Stupid girl, I gave you a chance. Buh bye Margie Jill: NNNOOOOOOOOOOOOOOOO Comin with the love and the groove Marjolein I got you A little rescue a little escape I’ll try to fight her I’ll try to punch this bitch in the eye And while I do you can get far away I think you're out now but then this thing is sucking me in I'm having trouble I think she might win Marjolein you should flee, please get away as for me I'm gonna see this thing through to the end Marjolein, I will fall, I can't hold on, it's all... It's all too strong I can't make it please don't Please don't hold on to me, please just go and get free Marjolein please just run let me go Sarah: Peek a boo, well I see you, where's my naughty cub This little piggy went to town and I could eat her up I catch you yet and rip your flesh, your bones will pick my teeth Little piggy, Sarah comes, comes for you, my sweet Jill: Marjolein, let go of me, you'll get pulled in! Marjolein: I'm not leaving you! Jill: You have to get away, I can't break free! Sarah: It's over for you! Into the hellscape you go. Send me a postcard from the pit of despair! You lose, I win! Goodbye girls, in you go! I did it! I did it! I beat them! I'm queen of the metaverse! I'm empress of reality! My loyal subjects, I can hear them... come! Come worship me! Worship me, my sweet children! I love you all! I love you my dear subjects! Your empress loves you! Girl, you are a dream today All your shame is wiped away Girl, the world is your ballet A brand new you, a brand new day Girl, you are a dream today All your shame is wiped away Girl, the world is your ballet A brand new you, a brand new day Girl, you are a dream today All your shame is wiped away Girl, the world is your ballet A brand new you, a brand new day ............. Michael: We did it Lloyd: They're almost all inside. We did it. Now we just have to go and take care of Sarah. Where is Sarah? Michael: I think she's over there, but… she looks like... Lloyd: What on earth is wrong with her? Michael: She looks like a... a Lloyd: Meat monster Michael: Yeah... A meat monster... Lloyd: The creature! From the story Michael: Penny Dreadful thing from when you were a kid... Lloyd: Yes, well she’s clearly trying to get into my head Michael: But why is she... doing that? Is... is she waving? Lloyd: Who is she waving to? Michael: She looks like shes... three bubbles away from fairyland Lloyd: Channelling that kind of power like she did... there have to be consequences Michael: So... what do we do with her? ... Sarah: Girl, you are a dream today All your shame is wiped away Girl, the world is your ballet A brand new you, a brand new day Girl, you are a dream today All your shame is wiped away Girl, the world is your ballet A brand new you, a brand new day Girl, you are a dream today All your shame is wiped away Girl, the world is your ballet A brand new you, a brand new day ……… Teddy Bears: Rats in teddy bear suits are librarians are teddy bears In rat suits are librarians so quiet, quiet, please Rats in teddy bear suits are librarians are teddy bears In rat suits are librarians so quiet, quiet, please Empress we have come to guide you to your newest home A palace grand where you can go and rule the world as you please Your fans are ever cheering in your mind you are endearing We don't wish to be appearing to object to your fair dream The way is just down here you're gonna love it this we swear You will be safe and free from fear and you can rule your days away You all have done your part though this next bit will be quite hard The time has come for us to part, we’ll take good care of her, have a good day Rats in teddy bear suits are librarians are teddy bears In rat suits are librarians so quiet, quiet, please Rats in teddy bear suits are librarians are teddy bears In rat suits are librarians so quiet, quiet, please Rats in teddy bear suits are librarians are teddy bears In rat suits are librarians so quiet, quiet, please Rats in teddy bear suits are librarians are teddy bears In rat suits are librarians so quiet, quiet, please Lloyd: Michael…. Where are Jill and Marjolein?
5.
Epilogue 05:11
Jill: So our story now my friends, it is coming to an end Though a few things still remain to tidy up The time that follows is quite hard, but we’re going to skip that part And a few years down the line pick our tale up Raven’s carnival is here, he spends all of his time there While Lloyd is aimless pondering what to do The temple where Asha had been will try to heal her once again And as for Michael, he’s embraced his life anew… … Michael: I was quite clear those toys had better be picked up before you even think about getting that snack. Do not g... Do not give me the cute eyes little money child… I swear you have me wrapped around your little fing… oh that's the door. Lloyd! Lloyd: Michael! It's wonderful to see you. Michael: You're a sight for sore eyes. It's been some years. Lloyd: It has been a few years. Michael: I hope the journey wasn't too hard. Lloyd: It is difficult. Michael: I'm nervous about taking Son Mi. Son, say hello to your uncle Lloyd. Lloyd: Well hello there. You are a wonderful little girl. Look how big you are. Michael: I thought Isabela was dead wrong not to tell David about his daughter. Lloyd: He’s… spiralling. I think having her in his life, even in a small capacity could really help ground him. And she’s old even to make the journey. Michael: I still think it's a bit dangerous, I'm not entirely comfortable. But… it's just the two of us here for years now, and.. my own childhood was pretty lonely. I think she could use some extended family. Lloyd: We’ll both accompany her. I'm sure it’ll be fine. … Jill: But alas the journey home will not go quite as they hoped There are things out there quite dangerous I must say Lloyd is killed and Michael harmed, he believes his daughter gone But into a strange new narrative, she strays And Lloyd’s soul, I tell you all, was caught and placed into a doll Where for decades in frustration there he stays And Michael howls in grief, for Lloyd and for little Son Mi We will catch back up to them again one day Sometimes I dream magazines, smiling starlets Glamour and haze how they wave from days that are now long since swept Dazzle and shine, lost lives once upon a memory Till sad old ladies alone in a dark home is all that is left Sometimes I dream magazines, smiling starlets Marjolein: Glamour and haze how they wave from days that are now long since swept Jill & Marjolein: Sparkle and shine, lost lives once upon a memory Till sad old ladies alone in a dark home is all that is left

about

And so ends the longest, most complicated single storyline i have yet attempted (at least until the space opera). It went phenominally, and the main reason for that is the performers: Lux, Maggie, Mora, Bradley, Abilene, Daniel, not to mention Kiera, Kerttu, Hayley, Lauren, Kayleigh and Oliver. These albums are nothing without the singers and the singers deserve more thanks than i can give them. You should please make sure to tell them your appreciation.

Making The Ballad Of Lloyd Allen into The Posthuman War all happened because of a fan request by, initially at least, JD Phoenix, So you should thank them, too. A whole bunch of stuff was hashed out in conversation with Pixelwayve so while you should also thank her, you probably wont and just keep on with the #(&^*@$*% sun thing.

A huge thanks to the Patreons for making this financially possible. There were a lot of airplanes and recording dates in multiple cities.

And of course, i huge thank you to all of you listening, making me feel valid and appreciated. I love you. Thank you.

credits

released May 24, 2022

Featuring:
Lux Mortenson as Sarah
Nora Sonneborn as Jill
Bradley Johnson as Michael
Kiera-Marie Somers as Isabela
Oliver Marsh as Mucklepuck
Maggie Kozak as Marjolein
Kayleigh McKnight as Kate
and
Abilene Olson as Asha

Art by Pixelwayve

Lyrics proofed and formatted by Jenna Soul

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Paul Shapera Pittsburgh, Pennsylvania

Cama’s attempt to commune with higher beings failed; she only found Decadent Dottie. Together they roamed, indulging in dangerous forms of psycho-neural self-exploration which Cama hoped would present the key to her people’s further evolution. It only led to her destroying her people so that one of their pets could evolve. She sat in her former civilization's rubble and listened to Paul Shapera. ... more

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